Happy Birthday Ira Glass

Ira Glass (born March 3, 1959) is an American public radio personality, and host and producer of the radio and television show This American Life, one of our favorite podcasts to enjoy on road trips.

You can learn more about him here, he answers questions about himself here, and listen to him interview his first cousin once removed composer Philip Glass here,

Ira Glass/Philip Glass Join Forces At Soho Apple Store Jan 21, 2010

Fishs Eddy & Vintage Metal Stationer’s Engraving Blocks

via pomme designs

“ . . . Dave, one of the owners of Fishs Eddy, made a fortuitous find on a recent buying trip to the Midwest: Vintage metal stationer's engraving blocks from the 1940’s and 1950’s! He came back with hundreds of initials and full addresses, most in their original boxes with handwritten names and dates of when they were last used.”

I had the great pleasure of seeing these engraving blocks in person with two of my best  friends. Fishs Eddy is a fascinating place to wander through. I noticed what looked like letterpress blocks nestled on an old desk surrounded by glassware. The outer boxes were curious as well with handwritten labels from the ’40s. I realized what they were, and while looking through the various names, monograms, and address blocks from the Philadelphia region, it was thrilling to even find a few that were still wrapped and taped closed, never opened since they were created by Baily Banks & Biddle. Priced very reasonably, I just couldn’t figure out what I could use these for, so I just appreciated them for their beauty and craft and continued exploring and shopping with my companions.

Earworm: The Chain

A few years after this album was released, I picked it up [along with a dozens other albums being discarded] beside a dumpster behind the Mifflin County Library. This  was before I drove, so I balanced the stack on my skateboard, and pushed them home through the back alleys to Walnut Street.

Listen to The Chain here.

Shackleton’s Antarctica in Color, 1915

via retronaut

“These are Frank Hurley’s famous early colour photographs of Sir Ernest Shackleton’s ill-fated ‘Endurance’ voyage, as part of the British Imperial Trans-Antarctic Expedition, 1914-1917. Hurley was the official photographer on the expedition.”

Read the rest, and see more of Hurley’s color photographs here.

March 2, 1887: Birth of the Master Locksmith

via wired

1887: Harry Soref is born. The inventor will miniaturize the security of a bank vault into the everyday padlock.

Read about him here.

Oliver Sacks: Prosopagnosia

via world science festival
The Story of the Living, Breathing Mirror
Living with the perceptual disorder known as prosopagnosia—the inability to recognize even the faces of people you know—can be difficult. But it can also be awkwardly funny, as the legendary author and neurologist Oliver Sacks recounts from his life experiences of living face blind.



Can I Catch Face Blindness?


Coping with Face Blindness


More on Oliver Sacks’ most recent book, The Mind’s Eye, can be found here. Watch short videos featuring Chuck Close here. I remember first seeing a painting by Close at the Carnegie Museum of Art in the early ’80s. It was fascinating seeing a large painting of his from across a massive room, and being constantly amazed as I walked up to within inches of it.

Becky Blanton: Secrets of Black & White

via colourlovers

“There really is no such thing as color. Color is just the reflection of light, which is why at night things are shades of grey, or black — there is no light to reflect. During the day, or with a flashlight, different substances or objects absorb and reflect different wavelengths of light, making us believe we are seeing color when we’re not.

The power of color then is its ability to alter our consciousness, our thoughts, our emotions, our perceptions. White is the presence of ALL color and the absence of all color. Black is the absence of all color and the presence of all color. If you mix all the primary colors — you get black. Yet you cannot mix any pigments to get white, although through additive and subtractive mixing of light you can. Where does the color go? And where does it come from?”

Read the rest of the post here, go to TRiiiBES’ Color & Form PDF here.

Marko Costanzo: Foley Artist

via wired

“If you want a film to really have visceral impact, the sound maketh the movie—and the foley artist maketh the sound. During a shoot, mic placement is optimized for dialog, and the quality of background sounds can suffer. That’s where the foley artist steps in, re-creating and recording those other noises, from footsteps to crackling fires, as discrete layers that can be edited into the scene. The practice goes back to Jack Foley, part of the team that transformed the 1929 silent movie Show Boat into an ear-tickling musical hit. Some say great foley is the stuff that goes unnoticed: the soft swirl of a waltzing dress. . . ”

Read the rest here.

Wood Type: 5 line De Vinne

via letterpress daily

I love the slight nick in the Open Counter.

Tekhelet, Snails, and the Midnight Sky

via nytimes

“One of the mysteries that scholars have puzzled over for centuries is the exact shade of blue represented by ‘tekhelet,’ which the Bible mentions as the color of ceremonial robes donned by high priests and ritual prayer tassels worn by the common Israelite.

Though scientists and scholars are still debating the exact shade of the ritual blue, the dye used is modeled after a 2,000-year-old textile, above, and is produced from sea snails found in Israeli waters.

What was known about tekhelet (pronounced t-CHELL-et) was that the Talmud said it was produced from the secretion of the sea snail, which is still found on Israeli beaches. Traditional interpretations have characterized tekhelet as a pure blue, symbolic of the heavens so that Jews would remember God. Not so, according to an Israeli scholar who has a new analysis: tekhelet appears to have been closer to a bluish purple.

The scholar, Zvi C. Koren, a professor specializing in the analytical chemistry of ancient colorants, says he has identified the first known physical sample of tekhelet in a tiny, 2,000-year-old patch of dyed fabric recovered from Masada, King Herod’s Judean Desert fortress, later the site of a mass suicide by Jewish zealots after a long standoff against the Romans.

‘It really is majestic,’ Dr. Koren said of the shade, which he said remained close to its original hue and appeared to be indigo. . . ”

Read the rest here.

Virtual Letterpress for iPad

via Mark Simonson Studio 

“LetterMPress is a virtual letterpress app for the iPad—at least that’s the idea. The project is using Kickstarter to raise funds to complete the app and to acquire wood type fonts to include (virtually) in the app.

... Not only will you be able to make compositions on a virtual press bed with virtual wood type, mix and apply virtual ink, and make virtual prints, if all goes according to plan, you will be able to send them your design and have it all done for real, with real wood type, ink, and paper.”

Learn more about the project here.

Spring 2011 Migration of Ruby-throated Hummingbirds

For those that like to track Hummingbirds, a nice site to follow their migration.

Earworm: All the Gold in California

I remember hearing this song by Larry Gatlin & The Gatlin Brothers Band in 1979 on local radio stations WKVA and WMRF. Though not typically a fan of country songs, the vocal harmonies have always stuck with me.


Listen to it here.

Image of the Day: Tavern on the Green Man

This green man, and a matching twin, are on the northern entrance of the Central Park Visitor Center at Tavern on the Green.

Earworm of the Day: You’re The Storm

I originally heard this song by The Cardigans on Pandora.  I like the sound quality that they create, especially on the refrain.

. . . cause you’re the storm that I've been needing
and all this peace has been deceiving
I need some wind to get me sailing
so it's the storm that I believe in
you fill my heart, you keep me breathing
'cause you're the storm that I believe in




The rest of the lyrics can be found here. Not much into the video, but the music created.

Electric Sheep

via electricsheep

Electric Sheep is a collaborative abstract artwork founded by Scott Draves. It’s run by thousands of people all over the world, and can be installed on any ordinary PC or Mac. When these computers ‘sleep,’ the Electric Sheep comes on and the computers communicate with each other by the internet to share the work of creating morphing abstract animations known as ‘sheep.’ The result is a collective ‘android dream,’ an homage to Philip K. Dick’s novel Do Androids Dream of Electric Sheep.


Another post resurrected for my previous blog, I forgot about it until I saw it running on my son’s Mac. Explore, download, and create electric sheep for dreaming androids here.

Business Cards: Page XII

[Top Row] The first card in this row is a sample — the embossed paper with a page curl is a nice treatment. I really like the next two cards artwork -- big and bold. The color “pops” on the Janae Berry card, and I like how the leaves break out of the black box on Susan Alexander’s card, On both of these though, I feel the type below the art is just too close to the bottom edge of the card.

[Middle Row] First colum: I really like the muted colors of the periwinkle and tangerine inks on this sample card; but dislike the overall text placement.

His Master’s Vice

via that’s right


Makes me smile.

Wood Type: 8 line Rugged

via letterpress daily

The abstract quality of the magenta dimples against the woodgrain is breathtaking. Find more great letters here.

Business Cards: Page XI

[Top Row] Middle card: The deeply embossed wool logo is the perfect solution for this card. Third column: Perfect two color card for Kites, etc. The typography and artwork gives the card a feel of a kite in flight.

[Middle Row] Middle card: Though this card is a sample, it shares the name of a former employer of mine. This card is so 1980s in type and art treatment. And Graphics II in State College will need to be covered in a future post.

[Bottom Row] Third column: Another sample card, clean, crisp, but ultimately a generic design treatment.