via wired“If you want a film to really have visceral impact, the sound maketh the movie—and the foley artist maketh the sound. During a shoot, mic placement is optimized for dialog, and the quality of background sounds can suffer. That’s where the foley artist steps in, re-creating and recording those other noises, from footsteps to crackling fires, as discrete layers that can be edited into the scene. The practice goes back to Jack Foley, part of the team that transformed the 1929 silent movie Show Boat into an ear-tickling musical hit. Some say great foley is the stuff that goes unnoticed: the soft swirl of a waltzing dress. . . ”
Read the rest here.
No comments:
Post a Comment