Sunday, June 5, 2011

It’s hard to throw away a race number...


via the mehallo blog
Turn your Tivek racing numbers into custom clothing; a cap or windbreaker. By Rick at ElevenGear.
Info/order here.

99 Bottles; Their Caps on the Wall


via things neatly organized
“Arizona-based artist, William LeGoullon collected 99 bottle caps from one of his state’s remaining drive-in movie theaters as part of his Intermission series.”
See more of his work here.

Business Cards: Page XXXIV


Friday, June 3, 2011

Jim Cosgrove: No Mother Could Give More


via NPR
“This is egg laying season, if you're a bird. If you're an octopus, particularly a giant Pacific octopus, you've been there, done that. In fact, you died doing it, in what is the saddest mommy story I've heard in a long while. It comes from biologist Jim Cosgrove who describes it all in a lecture he calls, “No Mother Could Give More.’ ”
Read the rest here.

The Art Of Reproduction: 17 Ladies with Ermines


Lady With Ermine by Leonardo Da Vinci

via Visual Hint: Color of Data
“The web can seem like the perfect museum, holding all the world’s art. Type ‘Danae Klimt’ into your favorite search engine, and you conjure up a high-resolution image of Gustav Klimt’s Danaë: tan limbs, a shower of gold, red hair. Or did you find pink limbs? Or were they gray or even green? There’s the rub: the seemingly perfect museum holds dozens of Danaës—with dozens of different palettes. Even the shape changes as reproductions are subtly cropped.

Curious just how far reproductions stray from each other, we began an investigation. For a set of famous artworks, we downloaded all the plausible copies we could find. Then we wrote software to reconstruct each artwork as a mosaic, a patchwork quilt where each patch comes from an individual copy.

The discontinuities of color, texture and frame tell the story of the inaccuracies in reproduction, forming a tapestry of beautiful half-truths...”
Read the rest here, and visit the site here.

Thursday, June 2, 2011

United Pixelworkers

This shirt from United Pixelworkers makes me smile.

Celebrating Linotype, 125 Years Since Its Debut


via the atlantic
“Around for a century, Linotype machines were made obsolete in the 1970s by changing technologies -- but they have not been forgotten…”
Read the rest here.


Business Cards: Page XXXII


SLR Camera Simulator


via swissmiss
“Want to play around with SLR Camera settings and see how it affects your photo, but without actually using an SLR? Well, you can do just that with the Online SLR Camera Simulator. This simple application allows you to choose the lighting, ISO, shutter speed and aperture. A great tool to teach someone the basics of photography.”
Explore it here.

Wednesday, June 1, 2011

Should You Work for Free?


via liquidtreat
“It's a question that creative types encounter frequently, and the answer? Well, it depends. New York-based designer and illustrator Jessica Hische helps you reach an informed decision with her handy online flowchart, "Should I Work for Free?" Using only css and html (for speedy loading and Google-powered translation into 52 languages), she assists site visitors in analyzing their particular situation, whether the potential payment-free project is for a legitimate business, a charity or non-profit, your friend, or your mom. (That last one is an automatic yes.) Start from the middle of the chart and work outwards by answering yes or no questions -- Will they give you creative freedom? Are you masochistic? -- until you reach a clear answer, delivered with a morsel of parting advice from Hische.’
Works best with Firefox, here.

Who Did That?


Albrecht Durer’s monogram

via imprint

“Anon, short for anonymous, is as common in art history as Smith is in American telephone directories. Yet for a specific work to have its maker buried in an unmarked grave in history’s Potters Field is a sad epitaph indeed.

Credit implies ownership and accountability. Around the eighteenth century art became more commonly a function of individual creators who received credit. The term Anon is less commonly found in art histories of this era. In fact, the signature became an important component of a work, even for lesser artists.

While not on the lowest rung of the art hierarchy, illustrators and cartoonists of the nineteenth century started signing their wares as much for their personal satisfaction as for the recognition it afforded them in an increasingly competitive marketplace. And not only did the illustrator’s signature appear, so did the engraver’s and printmaker’s — akin to the lengthy acknowledgments found in contemporary graphic design annuals...”

Read the rest here.

Practical Principles


via letterology
“From an alphabet of tongue twisters originally published in 1836 and revised 100 years later by the Mergenthaler Linotype Corporation. This 1936 edition of Peter Piper’s Practical Principles of Plain and Perfect Pronunciation was designed and illustrated by some of the most celebrated typographers and designers of the day…”
See more examples here, and see the entire book on view at Dr. Chris Mullen's amazing site, The Visual Telling of Stories, here.

Vintage Marvels: Commas


via swissmiss
From an Etsy shop called Vintage Marvels. Makes me smile.

Business Cards: Page XXXI


Hobo Type


via letterology
“This written language for hobos was a system of symbols developed as a code to help them cope with a difficult lifestyle. Hobo signage was often written with chalk or coal and might include directions, information and warnings such as a dangerous dog or the homeowner has a gun. Three diagonal lines signified it was not a safe place, the cross indicated angel food, which was food served to hobos after a sermon, two shovels indicated work available and a cross with a smiley face with one corner meant the doctor was willing to treat hobos for free.

In 1889 at the National Hobo Convention, the Tourist Union #63 adopted a concrete set of sixteen ethical by-laws to govern the Nation-wide Hobo Body. Oh what a wonderful world it would be if we all lived by this Hobo Code…”
Read the rest here.

Tuesday, May 31, 2011

Image of the Day: Gargoyle Among the Peonies


Business Cards: Page XXX


Chronophotography


via brainpickings
“French scientist Étienne-Jules Marey (1830-1904) made significant contributions to the development of cardiology and physical instrumentation in medicine, but he is best-known as a pioneer of chronophotography — an antique Victorian-era photographic technique that captures several sequential frames of movement, which can then be combined into a single image. In 1882, Marey invented a chronophotographic gun that was capable of taking 12 consecutive frames per second, recorded on the same picture. He used these pictures to study the gallop of horses, the flight of birds, the gait of elephants, the swim of fish, and the organic motion of many more creatures, and his work served as the foundation for Eadweard Muybridge‘s iconic animal locomotion studies and directly influenced the development of early cinema. Yet the background of his landmark images remains obscure…”
Learn more here.

Geometry of Circles: Philip Glass + Sesame Street


via brain pickings
“…In 1979, the makers of Sesame Street commissioned Philip Glass to compose music for a series of four unnumbered animation pieces titled Geometry of Circles, designed as a primer for visual thinking — something at the core of both Sesame Street itself and Jim Henson’s original vision that predated his creation of The Muppets. The combination, beautiful and eloquent in a multisensory way, feeds into my obsession with synesthesia and various visualizations of music.”
Read the rest, and watch one of the videos here.

Monday, May 30, 2011

Images of the Day: Mimeograph

Spotted at the Brooklyn Flea by my son and daughter-in-law. This makes me smile.

Business Cards: Page XXIX


Peter Pan in Kensington Gardens


via bibliodyssey
“Peter Pan first appeared in a section of The Little White Bird, a 1902 novel written by JM Barrie for adults. The character's best-known adventure debuted on 27 December 1904, in the stage play Peter Pan, or The Boy Who Wouldn't Grow Up' The play was adapted and expanded somewhat as a novel, published in 1911 as Peter and Wendy (later as Peter Pan and Wendy, and still later as simply Peter Pan). Following the highly successful debut of the 1904 play, Barrie's publishers, Hodder and Stoughton, extracted chapters 13–18 of The Little White Bird and republished them in 1906 under the title Peter Pan in Kensington Gardens, with the addition of illustrations by Arthur Rackham...”
Read the rest here, and see the fifty Rackham illustrations for ‘Peter Pan in Kensington Gardens’ from Harvard University Library here.

1940s NYC Destination Subway Scrolls


via accidental mysteries
“These incredibly graphic New York City destination subway scrolls were used to direct subway commuters in the early 1940s. I love the way the fonts are condensed and expanded to fill the space— from the school of ‘make it fit!’
Read more here.

Seeing, Hearing, and Smelling Color: Synesthesia Pt. 2


via imprint
“[Part II digs] into a hot-topic among scientists in recent years: is synesthesia useful to those who have it? What can studying it yield?
Read part two here.

Sunday, May 29, 2011

Images of the Day: Glassfest

We loved the bright little spray painted runner on the course signs.

Close-up of the spray runner wearing a double-brimmed hat.


Interesting typography treatment for this jeweler’s sign.

A restored Whizzer bike


Mail slot in a darkened corner along Main Street in Corning, NY

There was even a old ampersand spotted along the way; you can see it here.




Business Cards: Page XXVIII


Andrea Stark Poster Series


via FPO
“The things we place value on; the things we hold most beautiful, are of our own accord. This project reminds people to step back and consider every object or mark as an opportunity to create something new or improve upon the existing. This poster series was part of a wider research project exploring the value of decoration. The designs were created using everyday objects, residues and ephemera. Each A1 print is double-sided, with the original objects printed on the reverse of the decorative design that was created from them…”
Read the rest here.

Graphically Evoking Vivaldi’s “Four Seasons”


via @Issue Journal of Business & Design
“Our musical notation system follows a convention that dates back centuries. By reading it, musicians can get an aural sense of melody, tempo and all the other instructions on how the score should be played. But what if the notations were shown in graphically different colors and dot sizes? This is a study done by graphic designer Laia Clos of Mot Studio in Barcelona. Clos explains that the self-initiated project started with a woman in her studio who has a knowledge of music. From there, they created a new graphic musical notation system called “SisTeMu,” which translates a musical score into simple geometric forms and basic printing colors, exploring the rhythmic and melodic harmonies found in the musical composition. The system somewhat simplifies the complexity and mathematical structure, making it accessible to the viewer through a visual narrative. For their first translation, they used the musical data for the lead violin part of Antonio Vivaldi’s baroque concerto, The Four Seasons (or Lesquartrestacions)…”
Read more here and here.



Saturday, May 28, 2011

Business Cards: Page XXVII


Seeing Color (and Hearing, and Smelling It)


via imprint
“The number 1, for example, is a brilliant and bright white, like someone shining a flashlight into my eyes. Five is a clap of thunder or the sound of waves crashing against rocks. Thirty-seven is lumpy like porridge, while 89 reminds me of falling snow…”
Read the rest here.

Letterpress


via swissmiss
Letterpress from Naomie Ross on Vimeo makes me smile. Watch it here.

Friday, May 27, 2011

Image of the Day: Rainbow Cats


Business Cards: Page XXVI


The Octothorpe, part 2 of 2


via shady characters
“Bell Telephone Laboratories, one-time research subsidiary of American telecoms giant AT&T, has produced some of the 20th century’s most influential developments in the worlds of science and technology. It boasts seven Nobel Prizes in Physics awarded for, among other things, a demonstration of the wave nature of matter, the invention of the transistor and the discovery of background cosmic radiation. Other notable products of this storied research centre include the laser, radio astronomy, the first communications satellite and the UNIX operating system, which forms a key component of the internet and of modern computing in general.

Most relevant in terms of punctuation, though, is a small linguistic innovation which emerged in the wake of a much larger technological one. Engaged in the 1960s in reinventing the world’s aging telephone dialing system, one of the many Bell Labs engineers working on this mammoth task was almost certainly responsible for coining the term ‘octothorpe’. And though the octothorpe’s birthplace is well recorded, the question of exactly who created it is somewhat more contentious…”
Read the rest here.

Close-Up

Thursday, May 26, 2011

Cinderella Stamps


via letterology
“A Cinderella stamp is any non-postage stamp. The oft-neglected stepchild of the postage stamp, a Cinderella may look like a stamp, but it won't carry the mail. The category includes locals, labels, tax stamps, fiscals, poster stamps, charity seals, forgeries, fantasies, phantoms, revenues, etc. Some are more elaborately designed than the postage stamps they imitate. The hard-core philatelist scorns any stamp that didn't carry the mail, but others find these philatelic by-ways fascinating and rewarding. Philatelic Exhibition Seals are a popular sideline among stamp collectors. The heyday for Cinderellas in the U.S. was the 1920's and 1930's, when many beautifully designed engraved examples were produced…”
Read more on Cinderella stamps here and here.

Business Cards: Page XXV


Image of the Day: Footprints in Cement


Crow Thought

Wednesday, May 25, 2011

Business Cards: Page XXIV

[Middle Row] The middle card in this row uses the maximum numbers of typefaces and point styles; it is so bad you can't stop looking at it. The card next to it, The Bird Net, harkens back to the early days of the internet and modems.

New York Public Library’s ‘Find The Future’


via the morning news
“As some Christians prepared for the Apocalypse, Elizabeth Kiem and 499 questers spent Friday night locked inside the New York Public Library with game designer Jane McGonigal…”
Read the rest here.

Textify


Ampersand Rapture Looting

via imprint
“A lovely little experimental web application, Textify, re-renders any image you feed it as a text version of itself. The app uses the typeface, colors, and scale that you specify to generate the image. Your result: a gorgeous little piece of generative art with historical ties to old ASCII art of the Usenet period.”
Works with Firefox, visit the site here to play.

Image of the Day: Rite Way Demolition


A Visual History of Famous Mac Icons


via maclife
“Mac OS 10 has given Mac users a slick GUI full of fancy visual goodies, and with the release of Lion right around the corner, it's only going to get slicker. However, we must not forget that Apple's attention to detail hasn't just been limited to their most recent releases -- they've always been pioneers on the interface front. This gallery features Apple's most humble beginnings -- their most famous icons you're sure to remember with fondness, and a few current updates as well...”
See them here.